Download Astrattismo (Art dossier Giunti) by Rossana Bossaglia, Rossella Siligato, Filiberto Menna, PDF

By Rossana Bossaglia, Rossella Siligato, Filiberto Menna, Luciano Caramel, Marisa Vescovo

Summary paintings makes use of a visible language of shape, colour and line to create a composition which could exist with a level of independence from visible references on this planet. Western paintings have been, from the Renaissance as much as the center of the nineteenth century, underpinned via the good judgment of standpoint and an try to reproduce an phantasm of noticeable truth. the humanities of cultures except the eu had turn into available and confirmed other ways of describing visible adventure to the artist. via the top of the nineteenth century many artists felt a necessity to create a brand new form of paintings which might surround the basic adjustments happening in expertise, technological know-how and philosophy. The assets from which person artists drew their theoretical arguments have been assorted, and mirrored the social and highbrow preoccupations in all parts of Western tradition at the moment.


Le radici simboliste
Le avanguardie storiche
L'astrazione analitica
Dopo Mondrian
Dopo il 1945


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Extra info for Astrattismo (Art dossier Giunti)

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Qxp 03/10/2011 10:50 AM Page 42 first he did not appreciate it as much as he might. A portrait of his aunt painted in 1884 (Karen Bjølstad in a Rocking Chair) goes some way to making amends – the calm young woman is portrayed sitting in the window, gently rocking herself. qxp 03/10/2011 10:51 AM Page 44 strength of character in her sombre, slightly averted gaze (Inger Munch, 1884). Norway was an artistic backwater at this time – the few major painters of the period included Christian Krohg, Frits Thaulow, and Erik Werenskiold, who formed the native school, with its keynote of naturalism.

2 x 140 cm The J. qxp 03/10/2011 11:07 AM Page 60 Over this and successive visits to France, he imbibed other important influences: he very much admired Van Gogh and Gauguin, and drew stylistic inspiration from Odilon Redon, Pierre Bonnard, and Edouard Vuillard, as well as from the flowing forms and brilliant colours of Art Nouveau and the recently discovered Japonaiserie that had partly inspired it. qxp 03/10/2011 11:24 AM Page 62 Struggling against the materialism, conservatism, and provincialism of late 19th-century Christiania, a group of intellectuals had gathered around 1886 under the leadership of the writer Hans Jaeger.

Qxp 03/10/2011 11:06 AM Page 54 His love for her, always slightly unhealthy, now became an obsession, fuelled by the fact that she made it clear she was out of his reach. He kept a precarious hold on his sanity by pouring out his feelings into his semi-fictional diaries, a form of release that he relied on throughout most of his life. qxp 03/10/2011 11:06 AM Page 56 through a bout of severe illness, he saw the work of the leading painters of the day: the Impressionists, the Post-Impressionists, and the Symbolists.

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