Download Available Light: Photographic Techniques for Using Existing by Don Marr PDF

By Don Marr

Emphasizing how one can paintings with traditional mild instead of utilizing supplementary lights to create a synthetic atmosphere, photographers can use those basic strategies to mould current mild into the specified caliber and form. All events are mentioned, together with overcast and sunny days, backlighting and flare, window gentle, sunlight studios, normal reflectors, and studio lights at domestic, providing a plethora of rules for locating, diffusing, and developing gentle. As photographers examine the benefits of taking pictures with on hand light—no arrange, extra spontaneity, extra time to pay attention to the topic, and the power to catch preexisting relationships—they not just develop into greater photographers yet achieve self belief and an elevated knowledge in their inventive medium.

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Additional resources for Available Light: Photographic Techniques for Using Existing Light Sources

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5500K Overcast sky . . . . . . . . . . . . 7000K Household light bulbs (incandescent) . . . 2400–3000K Tungsten/Quartz photo hot lights . . . . 3200K Fluorescent lights . . . . . . . . . . 4200–6000K Open shade . . . . . . . . . . . . 9500K Different Qualities of Light Along with different color temperatures, open shade can show different qualities of light as well. Placing your subject in open shade in a city environment will render a different look than placing your subject in open Sunny Day 31 shade in the country.

4. Position your subject at the back edge of open shade so that sunlight catches the back of their head, creating a hair-light or edge-light effect. 5. 0 when photographing your subject in open shade to give them subtle fill and catchlights in their eyes. 6. Try an open-shade portrait in the wide-open spaces of the country. The big sky will create very soft light. Sunny Day 37 Chapter 3 Backlighting and Flare W hen we take a portrait, we want light to come from somewhere near the camera and illuminate our subject’s face, right?

In image 4-6, the subject was lit evenly from head to toe in another found Lighting Heaven location. There were 8-foot tall windows to camera left and the area surrounding her was bright, providing plenty of fill light. Indirect daylight poured in through the tall windows. 4-5 (below). Tall windows on adjacent sides, a brightly colored room, and sunlight equals Lighting Heaven. An area like this is great for full-length shots of individuals or for groups of people—big, soft light, in a white space.

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