By Theodore Sturgeon, Noel Sturgeon
James Blish known as him the "finest wakeful artist technology fiction ever produced." Kurt Vonnegut established the recognized personality Kilgore Trout on him. And such luminaries as Harlan Ellison, Stephen King, and Octavia Butler have hailed him as a mentor. Theodore Sturgeon used to be either a favored favourite and a writer's author, carving out a unique position within the literary panorama in response to his masterful wordplay, conceptual bold, and narrative force. Sturgeon's sardonic sensibility and his ability at interweaving very important social matters corresponding to sex--including homosexual themes--and conflict into his tales are obvious in all of his paintings, despite genre.
Case and the Dreamer screens Sturgeon's presents at their height. The publication brings jointly his final tales, written among 1972 and 1983. They contain "The kingdom of Afterward," a sexually particular tale Sturgeon were not able to put in writing prior in his occupation, and the name tale, approximately an come upon with a transpatial being that also is a meditation on love. numerous formerly unpublished tales are integrated, in addition to his ultimate one, "Grizzly," a poignant tackle the lung ailment that killed him years later. famous critic and anthologist Paul Williams contextualizes Sturgeon as either guy and artist in an illuminating afterword, and the publication comprises an index to the tales in all 13 volumes.
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Additional info for Case and the Dreamer (The Complete Stories of Theodore Sturgeon, Volume 13)
Cover design by Ann Monn Interior design & composition by John D. com Series editor: Jacob Weisman ISBN 10: 1-892391-52-x ISBN 13: 978-1-892391-52-0 Printed in the United States of America by Worzalla First Edition: 2007 9 8 7 6 5 4 3 2 1 Introduction © 2007 by Terry Bisson. | “The Bordello in Faerie” © 2006 by Michael Swanwick. First appeared in Postscripts #8, October 2006. | “Dirty Little War” © 2002 by Michael Swanwick. First appeared in In the Shadow of the Wall, edited by Byron R. Tetrick (Nashville: Cumberland House).
The soldier poked gingerly at the stick with his foot. “Some sort of radio device, eh? I’ve heard of such. ” “I’m right here. The stick. I’m from off-planet. ” “Can they, now? ” “Pick me up,” said the stick. ” The stick paused. ” “Thanks. ” “Okay, here’s the deal. I’m a symbiotic mechanism. I was designed to be totally helpless without a human partner. Pick me up, throw an acorn in the air, take a swing at it, and I can shift my weight so you hit it a country mile. ” “So I’d be a good and faithful tool.
It’s a good blade. ” “Still…you’re a lot fancier than this old sword of mine. ” “It means simply that it’s likely they’re using weapons rather more sophisticated than is strictly speaking allowed by the Covenants of Warfare. There’s a lot riding on this siege. The Iron Duke has put everything he has into it. If he were defeated, then the worst the Council of Seven could expect would be sanctions and a fine. ” “Again, it’s complicated. But I see you’re yawning. Why don’t you bank the fire and turn in?