By Diane Tuckman
Teaches every little thing artists and crafters want to know to use tremendous colour to silk and create artwork extra fast and -- with the recent dyes to be had -- extra simply.
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Additional info for Creative Silk Painting
Darker above the horizon. And now, let's look at the whole painting as it stands: The illuminated areas of the trees and the houses is * I i 33 Josep Lluis Casane paints a marketplace Fifth stage: the painting is in Seville almost done Fig. 99 Casane works on the area of the bridge that crosses the river. He paints the shadows of this metal structure with cool, dark blue-violets. Fig. 100. It's very interest- ing how this painter puts colors on his palette and mixes them. He constantly moves the brush, makdrawings of inter- ing twined strings of paint.
Notiee in the photo how Duran cleans the palette and accumulates the leftovers on one side. " The cleaning of the palette is not very ex- process often, always with decision. this In order to clean her brushes and palette knife she uses newspapers and occasionally some cotton uses in White which she large quantity, she lakes out of a jar; rags. paint, The painting has a very interesting composed of thick impastos and act, and surely it doesn't matter to Duran some leftover paint remains, since in this way she gets varied mixtures that are always stains, scratched or scored, with tiny if where the primer below can middle of her creative fever, the artist paints mixing colors directly on the canvas.
In a small area there are a mul- titude of highlights in nearly pure colors. 127. With color he defines shapes exactly and later will cover them with Fig. other colors. In other words, he draws while painting. 128 and 129. Roldan and windows in reds, oranges, and violets, preparing for the Figs. paints doors colors that he them. 42 will put over starting to The to paint the white wood, he paints an area with color, edges appear drawing mind. as lines, always geometric (rectangular, pencil tells me in that in reality, he draw now.